Thanks to Brotha JaÂ„ for the info…
A couple of weeks back, âBronco,â a member of the hip-hop forum the-breaks.com, helped solve a musical mystery dating back to 1995: From where did Mobb Deep sample the bass line for âShook Ones Part IIâ? This may seem like insider hip-hop baseball â and it is â but within the subculture of sample sleuths who care about such things, this was a Really Big Deal.
âShook Ones Part II,â from âThe Infamousâ album, is Mobb Deep’s most-cherished hit, so iconic that when Eminem needed a draught of sonic courage in â8 Mile,â he turned to it, with its distinctive tick-tock drums and dark, minor-key bass line.
Except, it turns out, the source of that bass line wasn’t a bass line at all, one reason the sample eluded discovery. The longer âShook Ones Part IIâ kept its secrets, the more it became a holy grail for sample seekers, complete with debated theories and false leads. In solving this cold case, Bronco (born Timon Heinke) and his revelation harkens to a seemingly bygone era of competitive sampling and sourcing.
In the late 1980s, as affordable digital samplers such as E-mu’s SP-1200 and Akai’s MPC-60 entered the market, beatmakers discovered the creative potential of looping and manipulating bits and pieces of music from other artists’ recordings, called âsamples,â to build new songs. They sought out unused sounds on increasingly obscure records to stay ahead of their peers â and possibly copyright attorneys â and sample hounds followed just as intensely. The adage that âknowledge is powerâ gave samples cultural capital â DJs could build sets using âoriginalsâ while vinyl sellers could mint small fortunes by selling records sporting âknownâ samples.
This quest for knowledge inspired self-described âprofessional computer geek,â Blaine Armsterd to create the Sample FAQ in 1994. It was a database of original samples sourced from his record collection, album-liner notes and user contributions culled from the pre-www ânewsgroupsâ of the early Internet frontier. In an ironic case of intellectual property theft, the FAQ eventually became so definitive that someone began selling bound bootleg copies of it, retitled âThe Holy Book of Hip-Hop.â
– Oliver Wang