To learn more, watch William Miles‘ 1977 documentary, Men of Bronze.

“On October 14, 2011, I walked out the backdoor of my home in Chadds Ford, PA and began a cross-country search for the most basic human interface of them all: stories. Every one of us has an extraordinary story worth hearing, and I’m walking the country to listen. There’s no such thing as the Average Joe, no such thing as a boring, uninteresting, unexceptional life (for more on this, see this poem by Yevgeny Yevtushenko). This walk is to honor that. Life is fast, and I’ve found it’s easy to confuse the miraculous for the mundane, so I’m slowing down, way down, in order to give my full presence to the extraordinary that infuses each moment and resides in every one of us. We’re a country of great diversities and divisions; sharing stories, I think, is one way to find resonance.”

That is how Andrew Forsthoefel began his AMAZING WALKING ADVENTURE across America.

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60 seconds prior to the violent trembles on earth’s surface , warning signals allowed the Japanese “to safely stop 11 500km/h bullet trains, disable 16,000 lifts, warn students to get under their desks and set off earthquake alarms across the country. Some 52 million Japanese received text alerts on their mobile phones.”

So why doesn’t California have the same system in place when we live on top of multiple fault lines, including one of the most well-known fault lines of all, the San Andreas?

“The delay here is, in one sense, testimony to human nature. It has been 19 years since the last significant quake rolled through California — the magnitude 6.7 earthquake in Northridge in a corner of the San Fernando Valley in 1994 — and memories of its damage and psychological trauma (some people moved away) have softened with the passage of time.

“We are in a long period of what I call seismic peace in California,” said Thomas H. Heaton, the director of the Earthquake Engineering Research Laboratory at Caltech. “But you can go for a long period when things are calm, and then instantly things are transformed into chaos. When you are in peacetime, it’s hard to get people’s attention and remind them what a big problem it is.”

10 million dollars was raised to conceive, transport and build the final resting home for Michael Heizer’s Levitated Mass at LACMA. If you are a regular reader of our blog, you know that this is not a knock on the art world because we are definitely big proponents of creativity. We’re simply wondering why is it easy to raise money for certain things and not for others?